Fan Art Friday: Week Five

This week, in anticipation of meeting the woman herself at the Writer’s Digest Conference in NYC, I made fan art for Tamara Shoemaker’s Guardian of the Vale YA fantasy series.

I happened to have made the box set cover for this series already, and so I took the look I developed for the box set cover–a spired, futuristic cityscape and lush skyline lights–and translated it into covers for the three books.

This series involves elemental magic, so each cover has an elemental theme, too:

Mark of Four’s is water:

mof

 

Shadows of Uprising’s is air:

sou

 

And Guardian of the Vale‘s is fire:

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Enjoy!

(All images remixed under CC 2.0)

 

Fan Art Friday: Week 3

This week on Fan Art Friday, in celebration of the release of Mage and Source, I’m offering up two new covers for my own books, The Gantean and The Cedna.

My real book covers feature portraits of my narrators, but for a different concept, I decided to show the magical aspect of the books and the ongoing saga of the Ophirae stones, the connecting plot arc of the entire series of Tales of Blood & Light.

On the cover of The Gantean, you see the mysterious red Ophira stone that Leila brought with her from Gante in her “barbarian” necklace:

gantorb

On the cover for The Cedna, you see the Opal Ophira, which the Cedna awakens during her tragic love affair with Onatos Amar:

cedorb

These two books were originally conceived as a duet within the series, and I like to think these new covers reflect that, with aspects of the images reflecting each other, the watery center of The Cedna‘s stone matching the watery background of The Gantean.

Next week I’ll reveal the Ophirae covers for Sterling and Mage and Source.

Behind the Cover

I’ve never been one for following rote advice or rules. Like Laith, one of the narrators of Mage and Source, “Emily does what Emily wants,” and in the case of my Tales of Blood & Light covers, Emily wanted to make them herself, so she did, against the advice of just about everybody, everywhere.

That said, I’ve learned a lot by going the independent route (as usual), and I certainly beefed up my Photoshop skills, which were a bit rusty after a stint many years ago as a photo doctor in a psych lab in college. (Side note: back then I was editing images of Breyer horses and yearbook pictures for a study on prosopagnosia, the inability to recognize faces, in case you were curious.)

I always enjoy learning by doing, and working on my own covers has allowed me to do that.

While my favorite cover thus far is Sterling’s–all the pieces just fit together so well to get a striking image–there is a big “darling” in the Mage and Source cover that I wanted to share because I love it so much.

Here’s the Mage and Source cover:

ms

Take special note of the interesting background colors and textures, the iridescent greens, blues, and violets. Those colors came from an image of a very specific thing. Can you guess what?

In the series thus far, each cover’s dominant color has represented the aetherlight color of the narrator. In Mage and Source, I have two narrators, and thus I needed to represent two colors on the cover, neither completely overpowering the other.

I am a relentless hunter of interesting public domain images, and I finally found one that I thought would serve as a good background image for Laith and Elena’s colors. It was this one:

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from the USGA Bee Inventory and Monitoring Lab’s Flickr stream. Government science images make my nerdy heart happy.

This is an image of a bee’s wing. Specifically, it is the wing of a female Xylocopa carpenter bee from Thailand. It was so cool I had to use it on my cover!

The rest of the images were sourced from more mundane stock photograph sites. The bird of paradise flower image in the center represents a fictional night queen bloom.

You’ll have to read the book to see how the night queen bloom and the bee’s wings relate to the story!

You can pre-order Mage and Source here.

Add it on Goodreads here.