WIND WINGING or THE EIGHTH OCTAVE REVISION with Tamara- I don’t think we’ve decided which co-written book we’ll focus on next. NO CHECK: we started this, and only lasted about an hour before we realized what we really wanted to do was clean-up and finalize River Running for publishing. So that’s what we did instead.
DAUGHTER of FORTUNE REVISION-CHECK. I read through this and made a big master list of what to do on my big rewrite next month.
FORMATTING PROJECT- I have a formatting project booked for this month that I’ll need to fit around other activities. NO CHECK–the author wasn’t ready. Instead I formatted River Running for publication, and it’s quite beautiful.
ALASKA ESSAYS-CHECK. I have a master formatted document in hand, now I just need to deal with formatting and inserting the images, which is a big job.
NOTE: My editor was able to get me the line edits for Light & Shadow back throughout January, so in addition to the work above, I managed to swim through line edits for Light & Shadow in January–which is great, since I had planned that for a February goal.
DAUGHTER of FORTUNE REWRITE-I plan to make my way through the list of changes I made last month.
FORMATTING PROJECT- I expect the formatting project from last month will come in sometime this month.
ALASKA ESSAYS-My goal is to have them all finished with a master draft ready for review by the end of this month.
LIGHT AND SHADOW TWEAKS- I have a list of about eight bigger fixes that I need to address from the lines edits. Then I’ll grind out the ebook version and upload for a “flow read” on my kindle!
I happened to have made the box set cover for this series already, and so I took the look I developed for the box set cover–a spired, futuristic cityscape and lush skyline lights–and translated it into covers for the three books.
This series involves elemental magic, so each cover has an elemental theme, too:
My real book covers feature portraits of my narrators, but for a different concept, I decided to show the magical aspect of the books and the ongoing saga of the Ophirae stones, the connecting plot arc of the entire series of Tales of Blood & Light.
On the cover of The Gantean, you see the mysterious red Ophira stone that Leila brought with her from Gante in her “barbarian” necklace:
On the cover for The Cedna, you see the Opal Ophira, which the Cedna awakens during her tragic love affair with Onatos Amar:
These two books were originally conceived as a duet within the series, and I like to think these new covers reflect that, with aspects of the images reflecting each other, the watery center of The Cedna‘s stone matching the watery background of The Gantean.
Mark asked me some fun questions about Mage and Source and other various topics over on his blog. Read the full interview here: https://makingfiction.com/2017/07/23/mage-and-source/. Yu’ll get to see a few images ideas for Gante, as well as my soundtrack pics for the book’s opening scene.